Well, like almost everything in professional music production, there are no ideal settings that will work for every source material, but some audio software plug-ins include a "learn mode" feature that will automatically do that for you, and I'd highly recommend you give it a go as a starting point for whatever you are attempting to do. Be it sound mixing or audio mastering.
Well, like almost everything in professional music production, there are no ideal settings that will work for every source material, but some audio software plug-ins include a "learn mode" feature that will automatically do that for you, and I'd highly recommend you give it a go as a starting point for whatever you are attempting to do. Be it sound mixing or audio mastering.
For example, if I want to slightly bring forward the midrange using iZotope Ozone's Exciter by 3 octaves in terms of width with the center frequency being 1600 Hz or by 3 ⅔ octaves while the center frequency is roughly 3500 Hz.
For example, if I want to slightly bring forward the midrange using iZotope Ozone's Exciter by precisely 3 octaves in terms of width with the center frequency being 1600 Hz or by 3 ⅔ octaves while the center frequency is roughly 3500 Hz.
If your center frequency is 1600 Hz with a width of 3 octaves (i.e., Q 0.404) that means your lower cutoff frequency is approximately around 561 Hz whilst your upper cutoff frequency is approximately around 4561 Hz. Therefore, this should perhaps get the job done:
The most useful center frequencies above are prolly from 570 to 3400 Hz. And as for Q 1 or Q 0.71 that is just too narrow. I am highly skeptical if it even works. It prolly doesn't. Another thing—assuming I remember this correctly—you can't have the top band higher than say 10 kHz. I am not sure about the lowest band. It must be somewhere around 100 Hz if my memory is right.
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