A traditional marriage ceremony for Igho Ubiribo and Danielle Allen took place today, and Nigerian Afrobeat recording artist Davido (aka "Boss Davhidho") who arrived yesterday in Zimbabwe is expected to perform at the lobola ceremony.
Some notable guests who showed up at the event include...
After spending nine months in prison, outspoken MDC-Alliance activist Makomborero Haruzivishe was eventually granted a $10 000 bail by Justice Cathrine Mzawazi of the Harare High Court on Wednesday the 29th of December 2021.
In an earlier case this year, in April, Makomborero Haruzivishe was...
Perhaps without sosho media, there probably wouldn't be the "cancel culture" in its present form.
However, my question is whether if y'all oans find it toxic in your own views or nah?
And should cancel culture be canceled or that it's beneficial in some ways?
Last year in April 2019 Zim Afropop artist Ammara Brown dropped her single "Loyal" produced by Daniel Kudakwashe Chiweda (popularly known in the music circles as Chiweddar).
350 days later, Ammara has now unveiled the official music video directed by Edible Elevens. And it goes without saying...
Mzansi musician Aubrey Qwana who is currently signed to Sony Music Entertainment (SA) worked with music producer Gobi Beast and this has brought about a lovely new jam titled "Molo". By the way, molo means "hello" in English.
Last year in the month of November 2019, Focalistic (Lethabo Sebetso) dropped the single "Never Know," which features South African rap artist Cassper Nyovest. But now in March 2020, Focalistic has officially released a music video which is directed by Clout Cassete.
How is a music production company different from a record label or to put it, in other words, is a production deal the same thing as a standard record contract?
Doesn't it make more sense for recording artists to sort out any issues e.g. royalties, music publishing earnings, song release dates, etc behind the scenes without the need to go live on sosho media talmbout they are being held captive by a record company?
Are upcoming Zim independent artists still reaching out to influential Zim hip-hop blogs for reviews and promos or modern-day marketing is now all about social media e.g., Twitter, Instagram, TikTok and etc?
Does music artist management in Zimbabwe work just as much as anywhere across the globe or perhaps there are unique ways of handling the music business?
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