news and current affairs.
iConnectivity drops PlayAudio2U, built for tour paranoia
Touring pros finally have a backup plan that costs more than a used car. iConnectivity dropped the PlayAudio2U to replace fragile setups with a two-rack-space tank focused on failover safety. The heavy box packs twenty-four reinforced XLR outputs alongside four preamp-equipped inputs for routing vocals or synths directly into the mix while keeping the gig alive if a computer crashes. This hardware puts physical buttons right on the faceplate for triggering MIDI commands without needing a mouse. The chassis handles road abuse thanks to sturdy ports meant for constant patching into house systems. It runs on standard power cables rather than those annoying little wall adapters that always get lost. Two USB-C sockets allow performers to...
Fender rebrands PreSonus gear and DAW under one roof
PreSonus just got consumed when the guitar giant decided to slap its logo onto everything. The legendary Studio One Pro software became Fender Studio Pro, while the Quantum and AudioBox interfaces joined the Fender Quantum Series and Fender AudioBox Go families. The PreSonus name survives only on Eris speakers, StudioLive boards, and Air XD boxes, but user accounts migrated to MyFender. Version eight of the renamed DAW brings a fresh look alongside Mustang and Rumble plugins that pack fifty-seven amp simulations. The update adds smart tools for turning recordings into MIDI notes via AI tech. Beat makers get refreshed Impact and Sample One units, while songwriters can use a helper tool for building chord progressions. The hardware...
Swing Master update fixes clicks without killing the groove
Audio loop tweakers finally got a fix for those annoying clicky artifacts. CARP Audio pushed a patch for Swing Master, which injects groove into raw sound files instantly without needing MIDI notes or offline rendering. This software chops incoming signals along the beat grid and delays specific steps to create feel, but previously, that slicing caused digital pops whenever the waveform got cut at the wrong spot. The developer claims the reworked smoothing engine applies tiny fades that respect the music more than previous versions did. This method eliminates switching noise while avoiding any blurry side effects or timing slop. The original impact stays intact, meaning drums still hit hard even after getting shuffled around...
Antelope Audio rolls out V-AMP for tube tone nerds
Studio rats just got a shiny new plugin for chasing vintage tones. Antelope Audio dropped V-AMP to serve as a high-fidelity preamp and cabinet emulator for digital workstations. It mimics a common-cathode tube stage to offer gain behavior spanning from gentle grit to full overdrive with extra low-end, but the design prioritizes keeping the signal accurate. Under the hood sits a cabinet engine utilizing circular convolution that packs five distinct speaker boxes captured using various microphone arrangements. The software provides virtual mics like dynamic or condenser models that work in either mono or stereo configurations. The signal path uses precise filtering and oversampling alongside non-linear processing stages to block...
United Plugins drops Duoflux, because one modulator was weak
Audio nerds just got a cheap new toy to obsess over. United Plugins dropped Duoflux, a fresh creation from SounDevice Digital that moves past simple single-processor gear because it packs dual independent modulation engines inside one housing. This setup lets producers build crazy movement or deep textures since they can treat signals apart or mash them together. The software rocks two separate engines that run seventeen unique algorithms like Vintage Chorus, Modern Rotary, Tremolo, and Phaser. Signals get divided between these sections using four distinct crossover methods based on Frequency, Volume, Stereo, or Mid/Side options. One standout trick involves a dynamic split that applies specific effects to just the quiet or loud chunks...
Smackbox V2 adds proper outputs and tidies its presets
They dropped a solid update for their hybrid drum machine. Dropshot Audio's Smackbox V2 just got multi-output support, letting users route each pad to separate mixer channels. The refresh also organizes factory presets into folders and expands the library with dozens of new kits. Community contributions from artist sinkmusic feature in the preset collection. Version 1.1.0 fixes compatibility for Linux systems like Debian 12. Preset management allows folder creation directly from the save dialog. Smackbox V2 runs as a standalone application or plugin across Mac, Windows, and Linux. Supported formats include AU, VST3, and CLAP. The instrument blends synthesis with sampling for electronic music production.
Fractiv tries to tame granular weirdness for adults
Finally, a granular synth that doesn't just make random weird noises. Sync Audio's Fractiv gives structured control over the process, working as either a plugin effect or a full sampler instrument. It captures live audio for immediate mangling, focusing on repeatable results instead of total chaos. The centerpiece is the Grain Pad for hands-on manipulation of particle behavior. Its unique modulation system ties parameter changes directly to individual grain cycles, creating organic movement. This makes intricate texture design actually playable for scoring and production. Fractiv runs on Mac, Windows, and Linux systems in all major plugin formats. It includes full MIDI learn for hardware integration. The introductory cost is...
UVI Orbit wants film sounds with feelings
Orbit is for sound designers who actually want to craft their own cinematic moments. UVI dropped this instrument for creating rises, impacts, and textures with deep control. It helps build layered scenes using up to seven fully editable sound layers, each with its own shaping tools for precision. The core feature is a signature XY pad that turns static sounds into moving performances. Users can draw motion paths or automate movement, making elements morph and evolve. The library includes hundreds of presets and thousands of raw layers across dozens of sound categories for quick starts or custom builds. It offers native operation inside UVI's Falcon or the free Workstation, supporting most modern audio software. A single license works...
Celemony says no AI just real players in a plugin
Celemony just dropped a plugin that basically steals pro musicians' souls for your tracks. Their new tool, Tonalic, adapts perfect studio performances from over thirty top session players to fit any song's chords and tempo. It uses the Melodyne engine without AI or loops, turning recorded takes into flexible musical parts for guitar, bass, and drums. The system works with small icons called Tonalics that represent musical patterns. You drag these regions onto a track as instructions, not audio or MIDI. The engine then pulls suitable passages from its library, adapting them dynamically to follow your song's harmony and groove automatically. Featured musicians include legends like guitarist Brent Mason, drummer Kenny Aronoff, and...
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