Last year's five-year film and television blueprint gives filmmakers hope for better days ahead. Money seems to flow more freely into the industry, making creators feel good about future projects. The National Arts Council of Zimbabwe stepped up with grants for short films, showing commitment to building our national screen industry. Key players came together with government support to create this plan for improving conditions.
Film industry experts like Stephen Chigorimbo, Nakai Tsuro, and Aaron Chiundura-Moyo joined discussions that set the stage for growth. Board chair Dr. Nozipho Maraire announced these short film grants would help local storytellers try new ideas. She thanked the Lotteries and Gaming Board for backing the project, noting it builds on everything outlined in the Zimbabwe Film Strategy. Her statement highlighted nine important areas the industry must work on.
The strategy focuses on creating clear rules for running the film industry properly. It addresses funding needs, building physical equipment like studios, protecting creative works, and making partnerships with local and international players. It also covers better ways to market and distribute films, education for filmmakers, making sure everyone can participate, plus research for future growth. These building blocks create a stronger foundation.
NACZ director Napoleon Nyanhi praised the government for leading efforts to bring life back to filmmaking through budget commitments. He expressed satisfaction that they delivered what creative people asked for. Film producer Ben Mahaka predicted success, saying film production might significantly boost Zimbabwe's export income. This funding opportunity emerged after officials declared 2024 a pivotal year and launched the Zimbabwe Film Strategy.
The National Arts Council wants three outstanding short films that tell authentic Zimbabwean stories through local perspectives. Winners will be part of a collection shown at film festivals across Zimbabwe and around the world. A registered film organization will track progress and ensure productions finish as planned. Applicants need proven experience making films, and references from established TV stations are considered helpful.
People applying should already have equipment or clear access to filming gear. They need to provide detailed plans, including treatment, synopsis, budget, and shooting schedule. Membership in recognized film groups registered with NACZ counts as another requirement. Films must be new productions lasting a maximum of twenty minutes. Each winner receives up to $2,000 through Empower Bank arrangements.
Zimbabwe citizens and permanent residents can apply if they meet basic criteria. Female filmmakers are especially encouraged to submit their work. Five experienced professionals will judge entries using specific methods based on application requirements. Successful stories need clear Zimbabwean themes, good market research, strong visual elements, and transparent budgeting, showing exactly how money will be spent.
Leaders from arts regulatory bodies welcomed these short film grants as positive progress. The initiative creates structured support for an industry with huge potential. Filmmakers appreciate seeing concrete action instead of just talking about improvement. These changes signal growing recognition of how cultural industries can contribute to national development.
Film industry experts like Stephen Chigorimbo, Nakai Tsuro, and Aaron Chiundura-Moyo joined discussions that set the stage for growth. Board chair Dr. Nozipho Maraire announced these short film grants would help local storytellers try new ideas. She thanked the Lotteries and Gaming Board for backing the project, noting it builds on everything outlined in the Zimbabwe Film Strategy. Her statement highlighted nine important areas the industry must work on.
The strategy focuses on creating clear rules for running the film industry properly. It addresses funding needs, building physical equipment like studios, protecting creative works, and making partnerships with local and international players. It also covers better ways to market and distribute films, education for filmmakers, making sure everyone can participate, plus research for future growth. These building blocks create a stronger foundation.
NACZ director Napoleon Nyanhi praised the government for leading efforts to bring life back to filmmaking through budget commitments. He expressed satisfaction that they delivered what creative people asked for. Film producer Ben Mahaka predicted success, saying film production might significantly boost Zimbabwe's export income. This funding opportunity emerged after officials declared 2024 a pivotal year and launched the Zimbabwe Film Strategy.
The National Arts Council wants three outstanding short films that tell authentic Zimbabwean stories through local perspectives. Winners will be part of a collection shown at film festivals across Zimbabwe and around the world. A registered film organization will track progress and ensure productions finish as planned. Applicants need proven experience making films, and references from established TV stations are considered helpful.
People applying should already have equipment or clear access to filming gear. They need to provide detailed plans, including treatment, synopsis, budget, and shooting schedule. Membership in recognized film groups registered with NACZ counts as another requirement. Films must be new productions lasting a maximum of twenty minutes. Each winner receives up to $2,000 through Empower Bank arrangements.
Zimbabwe citizens and permanent residents can apply if they meet basic criteria. Female filmmakers are especially encouraged to submit their work. Five experienced professionals will judge entries using specific methods based on application requirements. Successful stories need clear Zimbabwean themes, good market research, strong visual elements, and transparent budgeting, showing exactly how money will be spent.
Leaders from arts regulatory bodies welcomed these short film grants as positive progress. The initiative creates structured support for an industry with huge potential. Filmmakers appreciate seeing concrete action instead of just talking about improvement. These changes signal growing recognition of how cultural industries can contribute to national development.
