Ten bucks, roughly, is what stands between producers and a distortion box built to wreck signals on purpose. W. A. Production dropped Make Me Scream 2 at $9.90 for launch, which lands 86 percent under the $69.90 list, and that window closes before long.
Two stages handle the heavy lifting here. A tube preamp cooks the input first, then hands that already-hot signal over to a distortion section tracking transients, which explains why the reaction hits harder than one-stage boxes chasing the same job.
Round two stacks six distortion flavors against six timbre modes, and the window scales to whatever screen size somebody prefers. W. A. Production also tightened up stability and general performance while they were in there.
Frequency filtering, visual metering, factory presets and a light CPU footprint fill out the rest, alongside a PDF manual and a tutorial clip for anyone who reads before twisting knobs. AAX, AU and VST3 are all covered, Mac or PC.
Two stages handle the heavy lifting here. A tube preamp cooks the input first, then hands that already-hot signal over to a distortion section tracking transients, which explains why the reaction hits harder than one-stage boxes chasing the same job.
Round two stacks six distortion flavors against six timbre modes, and the window scales to whatever screen size somebody prefers. W. A. Production also tightened up stability and general performance while they were in there.
Frequency filtering, visual metering, factory presets and a light CPU footprint fill out the rest, alongside a PDF manual and a tutorial clip for anyone who reads before twisting knobs. AAX, AU and VST3 are all covered, Mac or PC.
