sound engineering

  1. Mpumelelo von Mumhanzi

    What is audio mixing and mastering?

    Audio mixing (or just "mixing" in short) is arguably the most pivotal stages in music production from a technical perspective. It has no blueprint because every song is, well, different. Hence, people called "mixers" in the music industry must adhere to rigorous turnaround times during this...
  2. R

    What are the best frequency crossover cutoff points?

    What are the best frequency crossover cutoff points?
  3. Mpumelelo von Mumhanzi

    Seventy-one

    Seventy-one bpm in milliseconds. Musical note name Duration in milliseconds octuple note (8) 27042 quadruple note (4) 13521 breve (2) 6760 semibreve (1) 3380 minim (½) 1690.141 crochet (¼) 845.07 quaver (⅛) 422.535 semiquaver (¹⁄₁₆) 211.268 demisemiquaver (¹⁄₃₂) 105.634...
  4. Mpumelelo von Mumhanzi

    Seventy

    Seventy bpm in milliseconds. Musical note name Duration in milliseconds octuple note (8) 27428 quadruple note (4) 13714 breve (2) 6857 semibreve (1) 3428 minim (½) 1714.286 crochet (¼) 857.143 quaver (⅛) 428.571 semiquaver (¹⁄₁₆) 214.286 demisemiquaver (¹⁄₃₂) 107.143...
  5. Mpumelelo von Mumhanzi

    Sixty-nine

    Sixty-nine bpm in milliseconds. Musical note name Duration in milliseconds octuple note (8) 27826 quadruple note (4) 13913 breve (2) 6956 semibreve (1) 3478 minim (½) 1739.13 crochet (¼) 869.565 quaver (⅛) 434.783 semiquaver (¹⁄₁₆) 217.391 demisemiquaver (¹⁄₃₂) 108.696...
  6. Mpumelelo von Mumhanzi

    Sixty-eight

    Sixty-eight bpm in milliseconds. Musical note name Duration in milliseconds octuple note (8) 28234 quadruple note (4) 14117 breve (2) 7058 semibreve (1) 3529 minim (½) 1764.706 crochet (¼) 882.353 quaver (⅛) 441.176 semiquaver (¹⁄₁₆) 220.588 demisemiquaver (¹⁄₃₂) 110.294...
  7. Mpumelelo von Mumhanzi

    Sixty-seven

    Sixty-seven bpm in milliseconds. Musical note name Duration in milliseconds octuple note (8) 28656 quadruple note (4) 14328 breve (2) 7164 semibreve (1) 3582 minim (½) 1791.045 crochet (¼) 895.522 quaver (⅛) 447.761 semiquaver (¹⁄₁₆) 223.881 demisemiquaver (¹⁄₃₂)...
  8. Mpumelelo von Mumhanzi

    Sixty-six

    Sixty-six bpm in milliseconds. Musical note name Duration in milliseconds octuple note (8) 29538 quadruple note (4) 14769 breve (2) 7384 semibreve (1) 3636 minim (½) 1818.182 crochet (¼) 909.091 quaver (⅛) 454.545 semiquaver (¹⁄₁₆) 227.273 demisemiquaver (¹⁄₃₂)...
  9. Mpumelelo von Mumhanzi

    Sixty-five

    Sixty-five bpm in milliseconds. Musical note name Duration in milliseconds octuple note (8) 29538 quadruple note (4) 14769 breve (2) 7384 semibreve (1) 3692 minim (½) 1846.154 crochet (¼) 923.077 quaver (⅛) 461.538 semiquaver (¹⁄₁₆) 230.769 demisemiquaver (¹⁄₃₂)...
  10. Mpumelelo von Mumhanzi

    Sixty-four

    Sixty-four bpm in milliseconds. Musical note name Duration in milliseconds octuple note (8) 30000 quadruple note (4) 15000 breve (2) 7500 semibreve (1) 3750 minim (½) 1875 crochet (¼) 937.5 quaver (⅛) 468.75 semiquaver (¹⁄₁₆) 234.375 demisemiquaver (¹⁄₃₂) 117.188...
  11. Mpumelelo von Mumhanzi

    Tempo

    Tempo is the speed (measured in beats per minute) of a record single or instrumental. And generally speaking, during tracking (i.e., audio recording) the higher the tempo the faster a vocalist should sing or rap because the song will sound terrible if an artist doesn't have any sense of rhythm...
  12. Mpumelelo von Mumhanzi

    Sixty-three

    Sixty-three bpm in milliseconds. Musical note name Duration in milliseconds octuple note (8) 31474 quadruple note (4) 15737 breve (2) 7868 semibreve (1) 3809 minim (½) 1904.762 crochet (¼) 952.381 quaver (⅛) 476.19 semiquaver (¹⁄₁₆) 238.095 demisemiquaver (¹⁄₃₂) 119.048...
  13. Mpumelelo von Mumhanzi

    Sixty-one

    Sixty-one bpm in milliseconds. Musical note name Duration in milliseconds octuple note (8) 31474 quadruple note (4) 15737 breve (2) 7868 semibreve (1) 3934 minim (½) 1967.213 crochet (¼) 983.607 quaver (⅛) 491.803 semiquaver (¹⁄₁₆) 245.902 demisemiquaver (¹⁄₃₂)...
  14. Mpumelelo von Mumhanzi

    Sixty

    The table below shows a tempo of sixty beats per minute converted to milliseconds: Musical note name Duration in milliseconds octuple note (8) 32000 quadruple note (4) 16000 breve (2) 8000 semibreve (1) 4000 minim (½) 2000 crochet (¼) 1000 quaver (⅛) 500 semiquaver...
  15. G

    Why does my voice sound different when I record?

    After tracking is done and during playback, my voice sounds different why?
  16. M

    What is better: EQ before compression or vice versa?

    Whether you are recording, mixing, or mastering I am kinda wondering, when should you use parametric EQ before compression and when is it best to use compression before EQ.
  17. Mpumelelo von Mumhanzi

    What is an algorithmic and a convolution reverb?

    The main difference between an algorithmic and convolution reverberation plug-in is that the former makes use of specified mathematic algorithms hence the name itself to generate a sense of space whilst a convolution reverb utilizes impulse response samples to do so. These impulse response...
  18. Tafadzwa Twabam

    What is the difference between Waves RBass and MaxxBass?

    I know both are bass enhancement plug-ins but what's the underlying difference between Waves Audio Renaissance Bass and MaxxBass? And which one is better, particularly for audio mastering?
  19. Sekuru Dhorofiya

    What is easier to learn: mixing music or audio mastering?

    Hi y'all, the title says it all, doesn't it? Of course, I'd assume both stages can be challenging but I want an overview and that is to say what is easier to learn: music mixing or audio mastering?
  20. Tanonoka

    Kuassa has released a new plug-in Amplifikation Rectifor

    In an effort to meticulously emulate the high-gain Mesa Boogie guitar amp, Kuassa has now released a new digital audio dynamic effect, Amplifikation Rectifor, which makes it the company's fifth guitar amp simulator they have launched to date. And at the time of writing, there is a generous...
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