sound engineering

  1. Mpumelelo von Mumhanzi

    Seventy-three

    Seventy-three bpm in milliseconds. Musical note nameDuration in milliseconds octuple note (8)26300 quadruple note (4)13150 breve (2)6575 semibreve (1)3287 minim (½)1643.836 crochet (¼)821.918 quaver (⅛)410.959 semiquaver (¹⁄₁₆)205.479 demisemiquaver (¹⁄₃₂)102.74...
  2. Mpumelelo von Mumhanzi

    Seventy-two

    Seventy-two bpm in milliseconds. Musical note nameDuration in milliseconds octuple note (8)26666 quadruple note (4)13333 breve (2)6666 semibreve (1)3333 minim (½)1666.667 crochet (¼)833.333 quaver (⅛)416.667 semiquaver (¹⁄₁₆)208.333 demisemiquaver (¹⁄₃₂)104.167...
  3. Mpumelelo von Mumhanzi

    What is audio mixing and mastering?

    Audio mixing (or just "mixing" in short) is arguably the most pivotal stages in music production from a technical perspective. It has no blueprint because every song is, well, different. Hence, people called "mixers" in the music industry must adhere to rigorous turnaround times during this...
  4. R

    What are the best frequency crossover cutoff points?

    What are the best frequency crossover cutoff points?
  5. Mpumelelo von Mumhanzi

    Seventy-one

    Seventy-one bpm in milliseconds. Musical note nameDuration in milliseconds octuple note (8)27042 quadruple note (4)13521 breve (2)6760 semibreve (1)3380 minim (½)1690.141 crochet (¼)845.07 quaver (⅛)422.535 semiquaver (¹⁄₁₆)211.268 demisemiquaver (¹⁄₃₂)105.634...
  6. Mpumelelo von Mumhanzi

    Seventy

    Seventy bpm in milliseconds. Musical note nameDuration in milliseconds octuple note (8)27428 quadruple note (4)13714 breve (2)6857 semibreve (1)3428 minim (½)1714.286 crochet (¼)857.143 quaver (⅛)428.571 semiquaver (¹⁄₁₆)214.286 demisemiquaver (¹⁄₃₂)107.143...
  7. Mpumelelo von Mumhanzi

    Sixty-nine

    Sixty-nine bpm in milliseconds. Musical note nameDuration in milliseconds octuple note (8)27826 quadruple note (4)13913 breve (2)6956 semibreve (1)3478 minim (½)1739.13 crochet (¼)869.565 quaver (⅛)434.783 semiquaver (¹⁄₁₆)217.391 demisemiquaver (¹⁄₃₂)108.696...
  8. Mpumelelo von Mumhanzi

    Sixty-eight

    Sixty-eight bpm in milliseconds. Musical note nameDuration in milliseconds octuple note (8)28234 quadruple note (4)14117 breve (2)7058 semibreve (1)3529 minim (½)1764.706 crochet (¼)882.353 quaver (⅛)441.176 semiquaver (¹⁄₁₆)220.588 demisemiquaver (¹⁄₃₂)110.294...
  9. Mpumelelo von Mumhanzi

    Sixty-seven

    Sixty-seven bpm in milliseconds. Musical note nameDuration in milliseconds octuple note (8)28656 quadruple note (4)14328 breve (2)7164 semibreve (1)3582 minim (½)1791.045 crochet (¼)895.522 quaver (⅛)447.761 semiquaver (¹⁄₁₆)223.881 demisemiquaver (¹⁄₃₂)111.94...
  10. Mpumelelo von Mumhanzi

    Sixty-six

    Sixty-six bpm in milliseconds. Musical note nameDuration in milliseconds octuple note (8)29538 quadruple note (4)14769 breve (2)7384 semibreve (1)3636 minim (½)1818.182 crochet (¼)909.091 quaver (⅛)454.545 semiquaver (¹⁄₁₆)227.273 demisemiquaver (¹⁄₃₂)113.636...
  11. Mpumelelo von Mumhanzi

    Sixty-five

    Sixty-five bpm in milliseconds. Musical note nameDuration in milliseconds octuple note (8)29538 quadruple note (4)14769 breve (2)7384 semibreve (1)3692 minim (½)1846.154 crochet (¼)923.077 quaver (⅛)461.538 semiquaver (¹⁄₁₆)230.769 demisemiquaver (¹⁄₃₂)115.385...
  12. Mpumelelo von Mumhanzi

    Sixty-four

    Sixty-four bpm in milliseconds. Musical note nameDuration in milliseconds octuple note (8)30000 quadruple note (4)15000 breve (2)7500 semibreve (1)3750 minim (½)1875 crochet (¼)937.5 quaver (⅛)468.75 semiquaver (¹⁄₁₆)234.375 demisemiquaver (¹⁄₃₂)117.188 hemidemisemiquaver...
  13. Mpumelelo von Mumhanzi

    Tempo

    Tempo is the speed (measured in beats per minute) of a record, single, or instrumental. Generally speaking, during tracking (i.e., audio recording), the higher the tempo, the faster a vocalist should sing or rap because the song will sound terrible if an artist lacks any sense of rhythm or...
  14. Mpumelelo von Mumhanzi

    Sixty-three

    Sixty-three bpm in milliseconds. Musical note nameDuration in milliseconds octuple note (8)31474 quadruple note (4)15737 breve (2)7868 semibreve (1)3809 minim (½)1904.762 crochet (¼)952.381 quaver (⅛)476.19 semiquaver (¹⁄₁₆)238.095 demisemiquaver (¹⁄₃₂)119.048...
  15. Mpumelelo von Mumhanzi

    Sixty-one

    Sixty-one bpm in milliseconds. Musical note nameDuration in milliseconds octuple note (8)31474 quadruple note (4)15737 breve (2)7868 semibreve (1)3934 minim (½)1967.213 crochet (¼)983.607 quaver (⅛)491.803 semiquaver (¹⁄₁₆)245.902 demisemiquaver (¹⁄₃₂)122.951...
  16. Mpumelelo von Mumhanzi

    Sixty

    The table below shows a tempo of sixty beats per minute converted to milliseconds: Musical note nameDuration in milliseconds octuple note (8)32000 quadruple note (4)16000 breve (2)8000 semibreve (1)4000 minim (½)2000 crochet (¼)1000 quaver (⅛)500 semiquaver (¹⁄₁₆)250...
  17. G

    Why does my voice sound different when I record?

    After tracking is done and during playback, my voice sounds different why?
  18. M

    What is better: EQ before compression or vice versa?

    Whether you are recording, mixing, or mastering I am kinda wondering, when should you use parametric EQ before compression and when is it best to use compression before EQ.
  19. Mpumelelo von Mumhanzi

    What is an algorithmic and a convolution reverb?

    The main difference between an algorithmic and convolution reverberation plug-in is that the former uses specified mathematical algorithms, hence the name, to generate a sense of space, while a convolution reverb utilizes impulse response samples. These impulse response samples are recorded...
  20. Tafadzwa Twabam

    What is the difference between Waves RBass and MaxxBass?

    I know both are bass enhancement plug-ins but what's the underlying difference between Waves Audio Renaissance Bass and MaxxBass? And which one is better, particularly for audio mastering?
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