Fifty bucks buys a whole 3D room that lives inside the mixer, and Audiocube Space drops 360-degree placement into VST3, AU, and AAX hosts. Channel counts climb to 9.1.6, and either Windows or macOS runs it.
Sources park anywhere in the sphere, and linking instances pulls every track into one window, where a shared listening spot slides around freely. The Ripple Engine handles the room math, while motion paths, preset or hand-drawn, keep things moving.
Reverb hands over ten room geometries, swappable surface materials, and outside impulse responses load in. A Cloud module goes granular for weird ambient smears, while the granulator ties pitch to key and scale with ADSR and feedback on tap.
Master duties cover parallel processing, stereo width, gain compensation that handles itself, and a limiter. Outputs run from plain stereo through binaural HRTF out to custom speaker rigs, and automation records live while motion presets follow tempo.
Founder Noah Feasey-Kemp said rebuilding the standalone app's engine as a plugin was the cleaner route, and he wants the DAW-to-3D-audio gap closed. It ships already.
Sources park anywhere in the sphere, and linking instances pulls every track into one window, where a shared listening spot slides around freely. The Ripple Engine handles the room math, while motion paths, preset or hand-drawn, keep things moving.
Reverb hands over ten room geometries, swappable surface materials, and outside impulse responses load in. A Cloud module goes granular for weird ambient smears, while the granulator ties pitch to key and scale with ADSR and feedback on tap.
Master duties cover parallel processing, stereo width, gain compensation that handles itself, and a limiter. Outputs run from plain stereo through binaural HRTF out to custom speaker rigs, and automation records live while motion presets follow tempo.
Founder Noah Feasey-Kemp said rebuilding the standalone app's engine as a plugin was the cleaner route, and he wants the DAW-to-3D-audio gap closed. It ships already.
