Kevin Weaver named President of Atlantic Music Group in LA

Atlantic just handed Kevin Weaver the big chair for everything loud, cinematic, branded, and culturally unavoidable.

What changed at the top

• Alright, Kevin Weaver just moved into a brand-new role as President of Atlantic Music Group.
• He is based in Los Angeles and still reports to Elliot Grainge.
• This role did not exist before, which tells you a lot about how central his lane has become.

What Weaver actually runs

• His focus sits on high-impact plays across the AMG roster.
• That lane covers soundtracks, strategic partnerships, gaming moves, sync licensing, and brand deals.
• The scope stretches across Atlantic Records, 300 Entertainment, and 10K Projects.

Who handles the daily grind

• Zach Friedman and Tony Talamo keep running day-to-day label operations.
• Both continue reporting directly to Grainge.
• Weaver’s role floats above execution and into big-picture opportunity building.

Why Weaver keeps getting promoted

• He joined the executive leadership team in 2024 as President of Atlantic Records West Coast.
• The company credits him as a key force behind Atlantic’s recent transition.
• Translation: he helped steer the label through a serious evolution phase.

The soundtrack empire he built

• Atlantic openly credits Weaver for turning the label into a top destination for blockbuster soundtracks.
• His resume there stacks deep with Barbie The Album, Twisters The Album, The Greatest Showman, Suicide Squad The Album, F7, and F1 The Album.
• These projects reshaped how labels plug into film and culture.

The numbers behind the hype

• Projects under Weaver’s watch have crossed 50 million album-equivalent units sold globally.
• Streams clear more than 65 billion across audio and video.
• Award-wise, that includes over 40 Grammy nominations, multiple RIAA Diamond singles, Academy Award wins, and Golden Globe Awards.

What Grainge said about it

• Grainge framed Weaver as the architect behind era-defining projects.
• He pointed to the way Weaver creates upside for artists and brands at the same time.
• The appointment was described as overdue and well-earned.

Weaver’s Atlantic timeline

• He joined Atlantic Records back in 1994.
• His roles over time ranged from EVP to President of Film and Television.
• He became President of the West Coast operation in 2017.
• The label credits him with shaping culture and creative leadership while expanding bi-coastal reach.

Weaver’s own take

• He described Atlantic as home for three decades.
• He framed the promotion as a chance to help define the company’s long-term legacy.
• Gratitude went directly to Grainge, Friedman, and Talamo.
• The future, in his words, looks wide open for AMG.

Recent wins that sealed it

• At the 2024 Grammy Awards, Barbie The Album led with 11 nominations.
• That project delivered hits like Dance the Night by Dua Lipa and the Oscar- and Grammy-winning What Was I Made For? by Billie Eilish.
• Twisters The Album produced Ain’t No Love in Oklahoma by Luke Combs, a four-times-platinum No. 1.
• F1 The Album brought in Just Keep Watching by Tate McRae and Bad As I Used To Be by Chris Stapleton, with features from Ed Sheeran, ROSÉ, and Burna Boy.

More credits that matter

• Weaver also worked on Grammy-nominated music tied to Daisy Jones & The Six.
• His TV soundtrack credits span True Blood, Vinyl, Girls, and Boardwalk Empire.
• Boardwalk Empire delivered its first Grammy win.

The takeaway

• This promotion formalizes what was already happening.
• Weaver has been running the soundtrack and crossover playbook for years.
• Atlantic just put the title on it and handed him the keys to scale it across the entire group.