Bremmers Audio Design just updated MultitrackStudio for all platforms, including Mac, PC, and iPad. The latest versions bring many improvements for musicians and producers. They improved the software's handling of guitar sounds, added new file formats, and improved its compatibility with different music equipment.
The new v11.1 on Mac and Windows makes guitar amps sound more true to life. You'll hear the difference with brand-new factory settings for your virtual amps. They fixed the input level meter to show more accurate readings. The Stack amp works differently with a Channel Mix knob replacing the old three buttons. Guitar players will enjoy two new effects: "Chorus Stereo" and "Mid EQ."
Flac file support arrives for users running Windows 10 or macOS 11 and above. Mac users benefit from better MIDI-CI connections, which can work through two MIDI 1.0 ports instead of needing a special MIDI 2.0 device. This means automatic program and controller names from Korg synths that support MIDI 2.0 Property Exchange.
External MIDI instruments display banks as separate MSB and LSB numbers, matching industry standards. Music makers can drop .syx files directly onto the SysEx Editor. The patchmap files include an option that stops the program from sending certain Program Change messages to specific channels.
Articulation controls improved with background displays of per-note overrides, giving you the full picture at a glance. The tempo extraction feature works better and is moved to the Add Click Track window, where you'll find it easily. When you add a click track, changes remain non-destructive until you save your song.
All the built-in instruments sound cleaner than before. The Rotor effect delivers more boost from its Drive knob with improved overdrive sound quality. The Wheel Organ plays 6.9 dB quieter to avoid unwanted distortion, with an Automated Fader added to existing songs for balance.
CLAP and VST3 plugins can display gain reduction right in their effect slot. You can replace VST3 plugins with compatible CLAP versions without losing your settings. Audio recording sliders show their position as text, making precision adjustments easier. The Stereo Effect comes with five new presets for creative sound shaping.
They fixed several bugs, including the Vocal Tuner needle movement issue on Mac. The sustain pedal problem affecting the Orchestral Harp instrument is fixed. People who bought MultitrackStudio after October 28, 2013, receive these updates for free. Earlier version owners can upgrade for €44 (Pro) or €24 (Standard).
The iPad version 5.1 received similar improvements to its guitar amp modeling, with more accurate sounds and all-new factory presets. The input meter shows levels more precisely, and the Stack amp features a Channel Mix knob replacing the previous three-button design. iPad users gain Chorus Stereo and Mid EQ stompbox effects.
Flac file support requires iPadOS 16 or newer. MIDI-CI for MIDI Out Device works with two MIDI 1.0 ports instead of requiring a bidirectional MIDI 2.0 USB device. Swipe horizontally over the device selector to choose your MIDI-CI Bidirectional Return option. This helps MultitrackStudio automatically retrieve program and controller names from compatible Korg synths.
External MIDI Instrument banks appear as separate MSB and LSB numbers on iPad as well. Users can drop .syx files directly onto the SysEx Editor. Patchmap files offer an option preventing MultitrackStudio from sending Program Change messages to certain channels, giving you more control over your setup.
The iPad version introduces an "Extract from track" option in the Add Click Track feature. This lets you record beats and extract tempo information, creating naturally evolving musical timing instead of rigidly fixed tempos. The Tempo Editor includes a Detach option for changing tempo without moving notes around.
MultitrackStudio instruments on iPad sound better than before. The Rotor effect offers more boost through its Drive knob with improved overdrive qualities. The audio recording level slider shows its position as a text for precise adjustments. They fixed issues with importing patchmaps through Document Picker, the Vocal Tuner needle movement, and the sustain pedal function for the Orchestral Harp.
The new v11.1 on Mac and Windows makes guitar amps sound more true to life. You'll hear the difference with brand-new factory settings for your virtual amps. They fixed the input level meter to show more accurate readings. The Stack amp works differently with a Channel Mix knob replacing the old three buttons. Guitar players will enjoy two new effects: "Chorus Stereo" and "Mid EQ."
Flac file support arrives for users running Windows 10 or macOS 11 and above. Mac users benefit from better MIDI-CI connections, which can work through two MIDI 1.0 ports instead of needing a special MIDI 2.0 device. This means automatic program and controller names from Korg synths that support MIDI 2.0 Property Exchange.
External MIDI instruments display banks as separate MSB and LSB numbers, matching industry standards. Music makers can drop .syx files directly onto the SysEx Editor. The patchmap files include an option that stops the program from sending certain Program Change messages to specific channels.
Articulation controls improved with background displays of per-note overrides, giving you the full picture at a glance. The tempo extraction feature works better and is moved to the Add Click Track window, where you'll find it easily. When you add a click track, changes remain non-destructive until you save your song.
All the built-in instruments sound cleaner than before. The Rotor effect delivers more boost from its Drive knob with improved overdrive sound quality. The Wheel Organ plays 6.9 dB quieter to avoid unwanted distortion, with an Automated Fader added to existing songs for balance.
CLAP and VST3 plugins can display gain reduction right in their effect slot. You can replace VST3 plugins with compatible CLAP versions without losing your settings. Audio recording sliders show their position as text, making precision adjustments easier. The Stereo Effect comes with five new presets for creative sound shaping.
They fixed several bugs, including the Vocal Tuner needle movement issue on Mac. The sustain pedal problem affecting the Orchestral Harp instrument is fixed. People who bought MultitrackStudio after October 28, 2013, receive these updates for free. Earlier version owners can upgrade for €44 (Pro) or €24 (Standard).
The iPad version 5.1 received similar improvements to its guitar amp modeling, with more accurate sounds and all-new factory presets. The input meter shows levels more precisely, and the Stack amp features a Channel Mix knob replacing the previous three-button design. iPad users gain Chorus Stereo and Mid EQ stompbox effects.
Flac file support requires iPadOS 16 or newer. MIDI-CI for MIDI Out Device works with two MIDI 1.0 ports instead of requiring a bidirectional MIDI 2.0 USB device. Swipe horizontally over the device selector to choose your MIDI-CI Bidirectional Return option. This helps MultitrackStudio automatically retrieve program and controller names from compatible Korg synths.
External MIDI Instrument banks appear as separate MSB and LSB numbers on iPad as well. Users can drop .syx files directly onto the SysEx Editor. Patchmap files offer an option preventing MultitrackStudio from sending Program Change messages to certain channels, giving you more control over your setup.
The iPad version introduces an "Extract from track" option in the Add Click Track feature. This lets you record beats and extract tempo information, creating naturally evolving musical timing instead of rigidly fixed tempos. The Tempo Editor includes a Detach option for changing tempo without moving notes around.
MultitrackStudio instruments on iPad sound better than before. The Rotor effect offers more boost through its Drive knob with improved overdrive qualities. The audio recording level slider shows its position as a text for precise adjustments. They fixed issues with importing patchmaps through Document Picker, the Vocal Tuner needle movement, and the sustain pedal function for the Orchestral Harp.
