T
Trythanks Lightfoot
guest
Does the idea of mixing with Fibonacci percentages sound like a good idea?
For curiosity's sake what will be the values next oan is asking for?
Percentage | Ozone Maximizer's Transient Emphasis Amount |
---|---|
100% | 200 (this setting obviously sucks but it exists for noobs who may otherwise need it) |
61.8% | 81 (don't do this please, abeg) |
23.6% | 47 (sounds horrible at -8 LUFS/LKFS) |
14.6% | 29 (sounds terrible at -8 LUFS/LKFS) |
9% | 18 (sometimes good at -8 LUFS/LKFS; it depends on the mix; turn it off if distortion is apparent) |
5.6% | 11 (sometimes great at -8 LUFS/LKFS; it depends on the mix; turn it off if distortion is... |
What's that?
Fibonacci Ratios and the Sqrt-2 |
---|
5.6% |
9% |
14.6% |
23.6%* |
33.3% |
38.2%* |
50% |
61.8%* |
66.6% |
76.4% |
85.4% |
91% |
94.4% |
You are asking the wrong person I have no idea how that can be used for mixing music.
He probably intends to set mix knob values to that I guess.
Do you mean like setting a reverb plug-in's wet/dry to 23.6%?
It's not that useful because at the end of the day y'all gonna need to use your ears to make final decisions.
For curiosity's sake what will be the values next oan is asking for?
Percentage | Ozone Maximizer's Transient Emphasis Amount |
---|---|
100% | 200 (this setting obviously sucks but it exists for noobs who may otherwise need it) |
61.8% | 81 (don't do this please, abeg) |
23.6% | 47 (sounds horrible at -8 LUFS/LKFS) |
14.6% | 29 (sounds terrible at -8 LUFS/LKFS) |
9% | 18 (sometimes good at -8 LUFS/LKFS; it depends on the mix; turn it off if distortion is apparent) |
5.6% | 11 (sometimes great at -8 LUFS/LKFS; it depends on the mix; turn it off if distortion is apparent) |
Percentage | Ozone Exciter's Amount: |
---|---|
100% | 15 (I dunno why on earth someone would use this, but hey, to each his own) |
38.2% | 7.2 (not ideal for mastering, can be used for mixing e.g., 808s, kick drums, bass, etc) |
23.6% | 3.5 (not ideal for mastering, can be used for mixing e.g., 808s, kick drums, bass, synths, keys, etc) |
14.6% | 2.2 (not ideal for mastering, can be used for mixing e.g. vocals, synths, keys, snares, etc) |
9% | 1.35 (somewhat ideal for mastering e.g., a dull mix or if you don't care about changing the spectral balance) |
5.6% | 0.84 (subtle and ideal for mastering purposes; set the dry/wet to your liking e.g., 61.8% or 38.2% depending on the mode) |
Intention | Ozone Exciter's Mode | Ozone Exciter's Amount | Ozone Exciter's Dry/Wet | Oversampling |
---|---|---|---|---|
Mastering | Tape | 0.84 | 91% | ON |
Mastering | Tube | 0.84 | 14.6% | ON |
Mastering | Warm | 0.84 | 9% | ON |
Mastering | Analog | 0.84 | 38.2% | ON |
Mastering | Retro | 0.84 | 5.6% | ON |
Mastering | Triode | 0.84 | 5.6% | ON |
Mastering | Dual Triode | 1.35 | 38.2% | ON |
Intention | FF Saturn's Mode | FF Saturn's Drive | FF Saturn's Dry/Wet | FF Saturn's HQ |
---|---|---|---|---|
Mastering | Gentle Saturation | 38.2% | 9% | ON |
Mixing | Gentle Saturation | 61.8% or 76.4% | 9% | ON |
Mastering | Clean Tube | 14.6% | 9% | ON |
Mixing | Clean Tube | 38.2% | 9% | ON |
Mastering | Warm Tube | 23.6% | 9% | ON |
Mixing | Warm Tube | 66.6% | 9% | ON |
Mastering | Clean Tape | 38.2% | 9% | ON |
Mixing | Clean Tape | 61.8% or 76.4% | 9% | ON |
Mastering | Warm Tape | 38.2% | 9% | ON |
Mixing | Warm Tape | 61.8% or 76.4% | 9% | ON |
Percentage | FF Pro-L Attack | FF Pro-L Release | FF Pro-L Look ahead |
---|---|---|---|
38.2% | 212.9 ms | 382 ms | 1.49 ms |
23.6% | 123.4 ms | 90 ms | 1.18 ms |
14.6% | 4.5 ms | 21 ms | 0.73 ms |