In the music recording industry do record labels, music publishers, and entertainment lawyers all collude together to make standard or 360 deals intentionally complicated than they should?
Is there any poor people mentality that supports the reason why those who are less fortunate usually have more children than rich people in the context of African culture?
How is a music production company different from a record label or to put it, in other words, is a production deal the same thing as a standard record contract?
What are the main key terms in a record contract checklist artists usually go through before signing either a standard 6 album or 360 deal with a record label?
Doesn't it make more sense for recording artists to sort out any issues e.g. royalties, music publishing earnings, song release dates, etc behind the scenes without the need to go live on sosho media talmbout they are being held captive by a record company?
Are upcoming Zim independent artists still reaching out to influential Zim hip-hop blogs for reviews and promos or modern-day marketing is now all about social media e.g., Twitter, Instagram, TikTok and etc?
Does music artist management in Zimbabwe work just as much as anywhere across the globe or perhaps there are unique ways of handling the music business?
I am pretty sure there is a set of unspoken rules in the music industry. What would y'all list as the unwritten music business rules that shouldn't be violated?
"Mari haina mukuru," is a ChiShona saying which means regardless of whether you are an older brother, sister, cousin, etc, there is no respect that is obliged to you just because of seniority as far as age is concerned.
Quite frankly, the person who has money is also the one who has more...
mari yemusana
Definition: money earned from sex work.
Note: the synonym for mari yemusana is mari yegotsi which obviously means the same thing as stated above.
Example usage:
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