In the music recording industry do record labels, music publishers, and entertainment lawyers all collude together to make standard or 360 deals intentionally complicated than they should?
Amongst all hip-hop artists both dead and alive, who do y'all think has got the best music business acumen in the context of signing unknown or upcoming rappers who then, later on, blow up to be global mainstream recording artists?
Is there any poor people mentality that supports the reason why those who are less fortunate usually have more children than rich people in the context of African culture?
How is a music production company different from a record label or to put it, in other words, is a production deal the same thing as a standard record contract?
What are the main key terms in a record contract checklist artists usually go through before signing either a standard 6 album or 360 deal with a record label?
Doesn't it make more sense for recording artists to sort out any issues e.g. royalties, music publishing earnings, song release dates, etc behind the scenes without the need to go live on sosho media talmbout they are being held captive by a record company?
Garry Mapanzure will be launching his EP album on the 29th February at "The Place TSA Restaurant, 4 Selkirk Avenue, Randburg South Africa."
This scheduled event will start at 6 pm -- admission tickets are being sold at 50 rands each.
There is going to be live performances from other acts...
Are upcoming Zim independent artists still reaching out to influential Zim hip-hop blogs for reviews and promos or modern-day marketing is now all about social media e.g., Twitter, Instagram, TikTok and etc?
Does music artist management in Zimbabwe work just as much as anywhere across the globe or perhaps there are unique ways of handling the music business?
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