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I'd add on to say you can just keep closed hi-hats dead center or slightly off at 15% or 30% either left or right. It's just a matter of deciding whether you personally prefer the drummer's perspective or audience approach of panning drum instruments in a mix.
There are no hard and fast rules when it comes to panning hi-hats, cymbals, etc in audio mixing.

It's all a matter of taste. Unless if a client tells you they want it a certain way.
 
There are no hard and fast rules when it comes to panning hi-hats, cymbals, etc in audio mixing.

It's all a matter of taste. Unless if a client tells you they want it a certain way.

Okay, but what panning percentage is a good starting point from either left or right when mixing hi-hats to get a nice balanced drum sound?
 
Okay, but what panning percentage is a good starting point from either left or right when mixing hi-hats to get a nice balanced drum sound?

You can try between 20% left, 50% left, and finally, 100% left.

Of course, 100% left might be extreme, although it usually works best if the mix is very busy. Think in terms of dealing with something that's overproduced with so many layered sounds.
 
I'd add on to say you can just keep closed hi-hats dead center or slightly off at 15% or 30% either left or right. It's just a matter of deciding whether you personally prefer the drummer's perspective or audience approach of panning drum instruments in a mix.
 
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