Like everything in
music production it all varies from each project, you are working on. However, it is perhaps much better to use high-pass filters or low-shelf filters on individual mixer tracks rather than using them on an entire mix.
Furthermore, you may want to avoid using steep or gentle low-pass filters (LPF or high-cut filters) because it's often not necessary to utilize them for
audio mastering assuming the mix is within a reasonable commercial ballpark.
But for your high-pass filter (HPF or low-cut filter) set it around 20 Hz or 25 Hz and always make sure it's a minimum-phase filter because a linear-phase HPF may change things in a weird way down there (i.e. the pre-ringing produced by ripples in the filter's...